Her composition of Joker features the cello as the centerpiece of the score, leading the very string-based melodies. She was struct by the "multi-dimensional simplicity, so openhearted and childlike" characteristics of Phoenix's Arthur, thus attempted to expand within that simplicity the orchestration around it, not with chords or any complicated music, but instead: " with texture that I felt resonated with the melancholia of his character". In an interview with Deadline Hollywood, Hildur remarked that the script resonated with her and that Phillips believed she captured the atmosphere of Joker, based on the sample she sent him.
Phillips asked if she was interested in writing some music just based on her feelings of the script: "He didn’t really give me any instruction, as such, he was just curious to hear what I felt".
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Unlike her previous collaborations, Hildur began composing Arthur's theme during the pre-production of Joker, with Phillips initially hiring her simply to come back to him with some ideas rather than a full score. It was a really lovely, straightforward, non-violent dialogue". She described her work with Phillips as "a really beautiful process", in that Phillips was curious to hear what she thought the story sounded like asking her to compose based on her feelings of the script, to which she said: "It can sometimes take awhile to get on the same page when you’re working on a project, but this time we were just in such strong agreement from the very first. Hildur was very curious of Phillips' take on the Joker's origin story, wherein Phillips then sent her the screenplay, to which he stated: "It was just an interesting and deep character study and it's a very fascinating character that we didn't have any idea about". I was sending her script pages and she was writing music before we even shot ". To interpret the many themes explored throughout Joker, director Phillips very early on turned to Guðnadóttir: " was writing music as far back as pre-production. Hildur was later announced as the composer of Joker. in August 2017, and insisted to bring on Hildur Guðnadóttir to work on Joker after he heard her score for Sicario: Day of the Soldado (2018), of which he thought was beautiful. Todd Phillips signed on to direct the film Joker for Warner Bros.
4.2 Songs from Live! With Murray Franklin.The score for Joker won numerous awards, including the Premio Soundtrack Stars Award at the 76th Venice International Film Festival, a Golden Globe Award for Best Original Score, a BAFTA Award for Best Original Music, and an Academy Award for Best Original Score. Hildur then attempted to expand - within that simplicity - the orchestration around Phoenix's character without chords or complicated music, but instead with a texture she that felt resonated with the melancholia of the character.
She sent Phillips a sample of her composition which included melodies that were very simplistic and monotonic as a means of conflating the film's gritty tone with that of protagonist Arthur Fleck. Īfter reading the film's script, Hildur was asked by director Todd Phillips to write some music based on her feelings of the Joker screenplay, which she was inspired to do so as it resonated with her. Hildur's score was released digitally by WaterTower Music on September 27, 2019, with a vinyl edition later released on December 13. The record consists of seventeen tracks from a film score written and composed by Hildur Guðnadóttir which received critical acclaim from the film industry. Joker: Original Motion Picture Soundtrack is the original soundtrack album to the 2019 film Joker, based on the DC Comics character of the same name, starring Joaquin Phoenix, Robert De Niro, Zazie Beetz, and Frances Conroy. Joker: Original Motion Picture Soundtrack
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